Narrative is on the iPhone
Describe the video, answer one question, get the edit. Fix it with a sentence or your fingers, export to Photos. Your footage stays on your phone.
Narrative Blog
Practical guides to AI video editing, faster post-production workflows, and choosing the right video editing tools.
Describe the video, answer one question, get the edit. Fix it with a sentence or your fingers, export to Photos. Your footage stays on your phone.
The effect is a cutout: the subject, tracked through the shot, painted over the title. How to ask for it, what the tracker needs, and the snowboard edit that does it at 0:10.
“Cut it like this one” is the best brief there is, if the editor actually measures “this one”. Here is what gets measured, what gets flagged, and the two ways to use a reference.
Transcribing is solved. Size, position and style are the decisions. Five caption styles, a rule for size on a phone, and the one place captions never cover a face.
A transition covers a cut, and most cuts do not need covering. The five kinds, the one technical constraint, and a high-energy edit that puts its three transitions nowhere near the beat.
The editing is twenty minutes; the sorting is the afternoon. Upload the folder, HEICs included, and the capture times do the sorting. How to brief the rest.
A cut a word late should be a drag, not a sentence. The strip’s tools, the speed presets, autosaved versions, and how the editor picks up where your hand left off.
A centre crop loses one of the two people. The fix is to stack them or follow whoever is talking. Here is a 27-second clip that does both, and how to ask for it.
The slow part is not the trimming, it is finding the six moments in two hours that belong together. Here is a clip that did that, and what to ask for to get your own.
Cutting on the beat by hand means marking every downbeat. Here it is one request, shown on a 24-second snowboard edit and a 20-second festival recap.
Five interview recordings, twelve minutes of talking, one two-minute piece with lower thirds, captions and B-roll over the cuts. How it was built and how to brief your own.
Eighteen minutes of festival footage became a 20-second recap: twenty cuts, one look, cut to the drum build. How to get the same from your own event.
Describe the cut once, review it in passes, revise with specific asks. Every step shown on a real edit you can open in the editor without an account.
Where an AI editor saves you time, where a traditional NLE still wins, and how to test the difference on one real project instead of a feature list.